Contemporary Iranian miniature is one of the newest arts that does not have much history, but it still remains unknown and less well-known than other visual arts such as painting - in the sense of its Western schools and styles. Of course, this also applies to classical miniature. The present article believes that one of the reasons for the failure of contemporary Persian miniature is the lack of historical and temporal perspective, which has led to its severing of ties with the contemporary period, and since it has not found a place in historical periods, it has resorted to a kind of "constructionism." However, since this type of construction, unlike other constructions, is not rooted in the real world and does not generalize to the past, based on a specific perspective that is also based on a kind of unrealistic world-building and is called " Dasatir" by citing a fake book called " Dasatir", this type of construction has also been referred to as " Dasatir tendencies." After a brief look at contemporary miniature and an explanation of constructivism, this article examines the tradition and the tradition perspective, and through a brief comparison between classical miniature and contemporary miniature, and mentioning examples of contemporary miniature, emphasizes their tradition construction. Finally, in the conclusion section, it summarizes the discussions and the possibility of a way out of this situation.