Volume 2 - Number 1 - 2006-3 - Golestan-e Honar

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<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=40"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Notes on Writing the History of Iranian Art, Difficulties and Some Guildlines</strong><br> Akbar Tajvidi <sup>*</sup><br><a href="article-1-40-en.html">Abstract</a> <a href="browse.php?a_id=40&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=40&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=41"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> What Does Pierce's Sign Theory Have to Say to Art History?</strong><br> James Elkins <sup>*</sup>,  Farzan  Sojoodi<br><a href="article-1-41-en.html">Abstract</a> <a href="browse.php?a_id=41&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=41&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=42"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Tamerlane, Art and Artists</strong><br> Valiyollah  Kavoosi <sup>*</sup><br><a href="article-1-42-en.html">Abstract</a> <a href="browse.php?a_id=42&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=42&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=43"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Avestan Calligraphy: A Review of Calligraphic Tradition in Avesta Manuscripts</strong><br> Bahram Boroomand <sup>*</sup><br><a href="article-1-43-en.html">Abstract</a> <a href="browse.php?a_id=43&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=43&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=44"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> A Colorful Inscription</strong><br> Mehdi Makinejad <sup>*</sup><br><a href="article-1-44-en.html">Abstract</a> <a href="browse.php?a_id=44&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=44&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=45"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Ceramic Engobe: A Review of Earthenware Coating in Iranian Pottery History</strong><br> Maliheh Tamaddon <sup>*</sup>,  Hossein Sarpoolaki<br><a href="article-1-45-en.html">Abstract</a> <a href="browse.php?a_id=45&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=45&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=46"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Zandaniji Textile</strong><br> Zohreh Roohfar <sup>*</sup><br><a href="article-1-46-en.html">Abstract</a> <a href="browse.php?a_id=46&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=46&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=47"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Early Safavid Carpets and Textiles (2)</strong><br> Jon Thompson <sup>*</sup>,  Bita  Pourvash<br><a href="article-1-47-en.html">Abstract</a> <a href="browse.php?a_id=47&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=47&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=48"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Pahlavi Architecture as Told by Documents</strong><br> Alireza Esmaili <sup>*</sup><br><a href="article-1-48-en.html">Abstract</a> <a href="browse.php?a_id=48&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=48&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=49"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Ustad Haj Ali Asghar Bana'i Me'mar</strong><br> Reza Jannessari <sup>*</sup><br><a href="article-1-49-en.html">Abstract</a> <a href="browse.php?a_id=49&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=49&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=50"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Translation Review: William J. R. Curtis, Modern Architecture since 1900</strong><br> Afra  Gharibpour <sup>*</sup><br><a href="article-1-50-en.html">Abstract</a> <a href="browse.php?a_id=50&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=50&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=51"><img src="./templates/tmpl_yekta/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Views: Evolution in Iranian Music due to the Constitution Rovolution</strong><br> Dariush Pirniakan <sup>*</sup><br><a href="article-1-51-en.html">Abstract</a> <a href="browse.php?a_id=51&sid=1&slc_lang=fa"></a>   -    <a href="browse.php?a_id=51&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF)  <a href="" target="_blank"> </a>  <a href="" target="_blank"> </a>   <hr class="articles_bar_hr"></div>

Notes on Writing the History of Iranian Art, Difficulties and Some Guildlines
Akbar Tajvidi ^*
Abstract - Full Text (PDF)

What Does Pierce's Sign Theory Have to Say to Art History?
James Elkins ^*, Farzan Sojoodi
Abstract - Full Text (PDF)

Tamerlane, Art and Artists
Valiyollah Kavoosi ^*
Abstract - Full Text (PDF)

Avestan Calligraphy: A Review of Calligraphic Tradition in Avesta Manuscripts
Bahram Boroomand ^*
Abstract - Full Text (PDF)

A Colorful Inscription
Mehdi Makinejad ^*
Abstract - Full Text (PDF)

Ceramic Engobe: A Review of Earthenware Coating in Iranian Pottery History
Maliheh Tamaddon ^*, Hossein Sarpoolaki
Abstract - Full Text (PDF)

The Zandaniji Textile
Zohreh Roohfar ^*
Abstract - Full Text (PDF)

Early Safavid Carpets and Textiles (2)
Jon Thompson ^*, Bita Pourvash
Abstract - Full Text (PDF)

Pahlavi Architecture as Told by Documents
Alireza Esmaili ^*
Abstract - Full Text (PDF)

Ustad Haj Ali Asghar Bana'i Me'mar
Reza Jannessari ^*
Abstract - Full Text (PDF)

Translation Review: William J. R. Curtis, Modern Architecture since 1900
Afra Gharibpour ^*
Abstract - Full Text (PDF)

Views: Evolution in Iranian Music due to the Constitution Rovolution
Dariush Pirniakan ^*
Abstract - Full Text (PDF)

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