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Most Visited Articles |
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سبک‌شناسی منطقه‌ای کوفی شرقی: صفات قلم کوفی در قرآنِ تازه‌یابِ ری (1297 Views) |
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نگاهی پدیدارشناختی به تجربه‌های هنری رشید قریشی (1947) (1281 Views) |
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دروازه‌های کرمان قدیم (1177 Views) |
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History of Art in Contemporary Iran: An Opinion Survey of the Learned (1126 Views) |
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نسخه خطی دیوان حسن دهلوی (1011ق) (محفوظ در موزه هنر والترز شهر بالتیمور) (1120 Views) |
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کالبد و تزئینات معماریِ مقبره سرقبر آقا (مقبره امام جمعه تهران در دوره قاجار) (1099 Views) |
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نشانه هایی از پیوستگی و ماندگاری فرهنگی در تبرستان بر مبنای واژگان کتیبۀ مقبره های رادکان غربی و رسِکتِ (1072 Views) |
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Iranian Identity and Iranian Cultural Borders (1071 Views) |
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The Abdollāhi House: A Beautiful Building from the Qajar Era in Sang-e Siāh Neighborhood, Shiraz (1039 Views) |
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Avestan Calligraphy: A Review of Calligraphic Tradition in Avesta Manuscripts (1038 Views) |
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Half a Century in the Study of Islamic Art, An Essay on a Presentation Made by Oleg Grabar to Diwan-al Mimar (992 Views) |
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Ceramic Engobe: A Review of Earthenware Coating in Iranian Pottery History (991 Views) |
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تحلیل نگارۀ بارگاه کیومرث (اثر سلطان محمد نقاش) با رویکرد آیکونولوژی پانوفسکی (991 Views) |
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Mohammad Siyah Qalam: The Unsolved Enigma (970 Views) |
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Nezam-ed-Din Soltan Mohammad Tabrizi (958 Views) |
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کار نیکو کردن از پر کردن است: هنر سیاه‌مشق‌نویسی در ایران (954 Views) |
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Building for the Shah: The Role of Mirza Muhammad Taqi (Saru Taqi) in Safavid Royal Patronage of Architecture (941 Views) |
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Imaging Paradise in Islamic Art (936 Views) |
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Amir-Khan Gorji's Treatise on Music (933 Views) |
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Book Review: Jon Thompson and Sheila Canby (eds.), Hunt for Paradise: Court Arts of Safavid Iran, 1501-76 (923 Views) |
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Notes on Writing the History of Iranian Art, Difficulties and Some Guildlines (919 Views) |
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Terminology oh History of Art (Part 1) (914 Views) |
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کتیبه پارچه‌ای ترکیب‌بند محتشم در حسینیه فرامه شهر دماوند (899 Views) |
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نقاشان دوره قاجار (892 Views) |
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Early Safavid Carpets and Textiles (2) (875 Views) |
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Theory of Performance: The Viewpoint of Hossein's Va'ez Kashefi (863 Views) |
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تاریخ تأسیس سینماهای شیراز در دوره پهلوی (851 Views) |
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Samarqand Friday Mosque as Seen by Kamal-ed-Din Behzad (846 Views) |
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What Does Pierce's Sign Theory Have to Say to Art History? (846 Views) |
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ارزش‌‌گذاری بر میراث معماری صنعتی شهر کرمان به منظور چشم‌‌اندازسازی برای آینده (842 Views) |
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Islamic Architecture: A Critique of Historians' Interpretation (828 Views) |
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Farabi on the Links between Poesy and Music (825 Views) |
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Views: Evolution in Iranian Music due to the Constitution Rovolution (825 Views) |
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The Relation between Theory and History (822 Views) |
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Khajoo Bridge: New Interpretations based on Recent Archaeological Findings (818 Views) |
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The Royal Gardens of the Safavid Period: Types and Models (809 Views) |
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Ustad Haj Ali Asghar Bana'i Me'mar (801 Views) |
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The Zandaniji Textile (798 Views) |
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Abadan: Planning and Architecture under the Anglo-Iranian Oil Company (788 Views) |
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Shah Abbas II, the Conquest of Qandahar, the Chihil Sutun, and Its Wall Paintings (785 Views) |
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The Rise of Islamic Archeolgy (781 Views) |
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Pahlavi Architecture as Told by Documents (776 Views) |
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شیوه‌های تاریخ‌نگاری هنر در المآثر و الآثار (775 Views) |
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A Colorful Inscription (774 Views) |
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The Bird Illustrations in a Thirteenth Century Arab Natural Hidtory (774 Views) |
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Book Review: Dennis J. Sporre, The Creative Impulse: An Introduction to the Arts (764 Views) |
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Periodization in History (757 Views) |
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Rereading the Engineering of Khajoo Bridge (757 Views) |
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Translation Review: William J. R. Curtis, Modern Architecture since 1900 (756 Views) |
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The Ejaze Ceremony, As Practiced by Turkish Calligraphers (751 Views) |
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Total Sum: 164508 |
